iQIYI: The Transformation Journey from a Video Streaming Website to a Membership Model and AI-Driven Content Production
Founded: Gong Yu · Beijing iQIYI Science & Technology Co., Ltd. (iQIYI)
Key Fields
FIELD STAMPSOrigin
In 2010, China's video streaming industry was still in a chaotic phase of piracy and aggressive advertising. Gong Yu, with a background at Baidu, recognized the value of licensed long-form video and professional content, and founded iQIYI, entering the market with high-definition and authorized content as its selling points. Early on, it relied on search engine traffic guidance and brand advertising for monetization, but high copyright procurement costs made profitability a distant prospect, forcing the team to find a sustainable business model.
Milestones
Turning Points
- 2015: Launched the membership system, shifting users from free to paid via self-produced content.
- 2018: Listed on NASDAQ, securing capital ammunition but taking on profitability pressure.
- 2022: Achieved first single-quarter profitability, proving the viability of the membership + advertising model.
- 2026: Announced it would stop self-developing large models, shifting toward an AI creator ecosystem and a 'toll' model.
Failures & Pitfalls
- Early copyright procurement burned cash, leading to continuously widening net losses, with losses exceeding RMB 2 billion in 2015.
- Continued losses for multiple years after the 2018 IPO, with net losses reaching RMB 7 billion in 2020, drawing skepticism from the capital markets regarding its business model.
- Following the rise of micro-dramas, the long-form video content ecosystem was impacted, causing the company to slip back into losses in 2025 and leaving profitability insecure.
- The strategy of self-developing large language models failed, forcing the company to abandon proprietary model R&D and turn to external cooperation and creator tools.
关键成功要素
- Persisted with the self-produced content strategy, building user mindset for paid membership through hit dramas and variety shows.
- Continuously optimized content costs post-listing and introduced an industrialized production system.
- Proactively stepped back from the 'center stage' in 2026, opening up AI film and television production rights to creators while positioning the platform as infrastructure.
- Maintained content quality despite the impact of micro-dramas, using AI tools to lower the barrier to creation and expand the supply side.
Lessons
- Profitability cannot rely on burning cash for scale; content cost control and ARPU enhancement are both indispensable.
- Business models must iterate alongside user demand and technological cycles; relying solely on advertising or membership is unsustainable.
- When an industry is disrupted, rather than fighting it, it is better to proactively transform into an enabler and charge ecosystem service fees.
- Self-developing large models is not a cure-all; commercial execution and scenario matching are more important than an arms race in technology.
Core Data
- Total revenue in Q2 2026:RMB 6.29 billion (based on public disclosures, independent verification pending)
- Operating loss narrowing magnitude in Q2 2026:80% (based on public disclosures, independent verification pending)
- Full-year revenue in 2023:RMB 31.944 billion (based on public disclosures, independent verification pending)
- Net profit in 2023:RMB 2.863 billion (based on public disclosures, independent verification pending)
- Subscriber count at the end of 2023:Approximately 103 million (based on public disclosures, independent verification pending)
- IPO fundraising amount in 2018:Approximately USD 2.25 billion (based on public disclosures, independent verification pending)
Competitors / Peers
iQIYI's main competitors in China's long-form video market are Tencent Video, Youku (Alibaba Digital Media and Entertainment), and Mango TV. Backed by the Tencent ecosystem, Tencent Video spares no expense in investments for self-produced dramas and variety shows; Youku relies on synergies with Alibaba's e-commerce and digital entertainment; and Mango TV is known for low-cost, high-return variety shows, boasting a smaller subscriber base but higher profit margins. In addition, short video platforms like Douyin and Kuaishou, alongside micro-drama platforms, rapidly erode user watch time with extremely low production and distribution costs, dealing a dimensionality-reducing blow to iQIYI. iQIYI is currently attempting to differentiate itself from traditional platforms through AI tools and a decentralized creator ecosystem, but whether it can form a network effect remains a challenge.